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The Last Lesson
Stories::
Original:: Drama/Romance
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Rating: Everyone -
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A young woman, maybe twenty-three or twenty-four in age swept her bangs
from her face. The rest of her long blond hair was held back in a
rather loose bun, with quite a few stray hairs sprouting from it.
Overall, she looked rather harried. Her dress was quite simple,
compared to what she was usually wearing – today it was just
a
plain blue dress that fell to her ankles. There seemed to be very
little effort in her general appearance, except, perhaps, the crimson
on her lips and a bit of black framing her gray eyes. And save for the
simple silver necklace around her neck, she wore no accessories.
Currently, she was standing outside of a door. She took a deep breath
and held her hand up, as if about to knock, but decided against it. Her
hand once again returned to her chest, to which she was clutching a few
pieces of paper.
“Anna, pull yourself together,” she scolded herself
quietly. “You have done this a number of times! It should not
bother you now!”
But it still seemed that every time she approached this door,
nervousness began eating away at the pit of her stomach, and she
– once again – found herself unable to knock.
And yet the sole occupant of the room heard her, as he always had.
“Enter,” he called when she had shifted
uncomfortably, her
boots clacking on the floor. It was not so much that he had heard the
boots. He had felt them move – felt the vibrations. After
all, he
was nearly deaf.
With a last deep breath, Anna nudged the door opened and walked into
the room.
“Master Beethoven, I apologize for my lateness,”
she said
quietly, forgetting for a moment that he could barely hear her.
“Come. Sit,” he said, rather ignoring her, and
motioning to
the piano. It was a most curious of pianos, because the legs had been
cut off, resting it flat on the floor.
Anna opened her mouth to try to apologize again, but the man looked up
at her, his eyes searching her. She said nothing, closing her mouth,
and sat down on the floor at the keyboard.
Beethoven moved behind her, as he always had, his legs on either side
of her, and his cheek resting against the side of her head, so that
when she talked, he could feel the vibrations of her voice.
“Master Beethoven, I have been practicing – this
piece
here, it is a bit of – well, I thought you would like to see
it,” Anna stumbled over her words, sifting through the papers
she
had been carrying and pulling out a few sheets. She set them up on the
piano and paused, unsure of what to do.
“Play,” he told her simply. Little was usually said
between them, as he did know limited English.
Anna nodded slightly and put her hands up on the keys. For a moment,
her fingertips caressed the cool ivory keys and her eyes looked
lovingly over the keyboard.
With only a small deep breath, she began playing.
Beautiful music filled the room, music that went up and down, high and
low, loud and soft. It flowed from the piano, a sweet melody that
seemed to tell a story of nature and life.
Beethoven closed his eyes and listened. Questions that he had had for
Anna seemed to fall now, as he heard her play. Carefully practiced
English seemed meaningless when he could feel what she had to say
through the songs she played.
And yet, slowly, a question came forth as Anna continued to play.
“Why did you want lessons?” he asked her. His voice
was
quiet, as if coming from deep inside him. His eyes were still closed,
and he was lost in the music.
“I love the piano,” she answered with equal
softness, the
music not faltering for a second. “I love the sound, the
music it
can make.”
“Why from me?” Beethoven asked. “From all
the composers, from all the pianists. Why me?”
Anna was silent for a bit as she played her way through a particularly
difficult measure or two. “Because I love the way your music
sounds,” she said eventually. “It’s
filled with
feelings and emotions; sadness, bitterness,
anger….”
Beethoven said nothing more until she had finished her song.
“You composed it,” he said when the final chord was
struck.
“I never said I – ” Anna seemed suddenly
flustered.
She lifted her hands from the piano abruptly, and the music was gone.
“You could talk during it. You composed it.”
Anna floundered for a bit, her mouth opening and closing, unsure how to
respond.
Beethoven leaned away from her and watched her. She was blushing
lightly.
“Why did you come from Britain to study piano?” he
asked her, putting his cheek once more to her head.
She got a hold of herself. “My parents had business here in
Austria,” she said. “I had come along. When I heard
you
play one night at a concert…” she trailed off. The
rest of
the story, he knew.
Beethoven looked over the keyboard. A few weeks ago, when he had found
out that this would be their last lesson together, he had started
composing a piece of music especially for her. But now…. But
now
he was almost embarrassed about it. He did not want to play it for her.
But she was very talented. She had little practice before coming to
Austria, but with their short time together she had improved
dramatically and even composed numerous pieces.
He put his hands up on the keyboard. He would play it. The ending was
not done, but he would think of something. He would improvise if he had
to.
With only a hint of a sigh, he began playing.
Anna was immediately lost in it. The song was a sad one, in a minor
key, she noted. It was slow, and deliberate. It told a story of a lost
love; of a goodbye. She could feel possibly what Beethoven was feeling.
She would miss him terribly.
She listened. She closed her eyes and stopped listening – she
felt. She felt the music in her. She saw the music – deep
shades
of blue and purple; palest grays swirled through the dark colors, like
a giant brush on a giant canvas.
And then it stopped.
She opened her eyes. His hands were on the piano, but no music was
coming.
She put her hands up, under his, and continued the song by ear, what
she thought it should sound like. How it should end.
She closed her eyes again and let her hands play. The music continued,
and the brush made its last swipe through the blues and violets,
whirling everything together.
And then it ended.
Slowly, quietly, and sadly, the song ended.
“You play beautifully,” Beethoven whispered.
Anna was quiet. “Why did you write it?” she asked
him.
“For you,” he said with little hesitation.
“It is for you.”
Anna smiled a little. “What is it called? It is
beautiful.”
Beethoven said nothing for a bit. “It is a sonata,”
he said finally. “Moonlight. Moonlight Sonata.”
Anna smiled and closed her eyes and put her hands on the keyboard.
“Show me how to play it,” she said as he put his
hands over
hers. “I want to learn it. Then I will play it all the time.
I
will never forget it.”
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